Landscape Design: A Cultural and Architectural History

$69.21

  • Hardcover: 544 pages
  • Publisher: Harry N. Abrams; 1st Edition edition (November 1, 2001)
  • Language: English
  • ISBN-10: 0810942534
  • ISBN-13: 978-0810942530
  • Product Dimensions: 9.1 x 1.6 x 12 inches
  • Shipping Weight: 4.8 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars 36 customer reviews
  • Amazon Best Sellers Rank: #177,759 in Books (See Top 100 in Books) .zg_hrsr { margin: 0; padding: 0; list-style-type: none; } .zg_hrsr_item { margin: 0 0 0 10px; } .zg_hrsr_rank { display: inline-block; width: 80px; text-align: right; }
    • #195 in Architectural History
    • #85 in Landscape Architecture (Books)
    • #328 in Architecture (Books)
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    Description

    From Publishers Weekly

    Elizabeth Barlow Rogers, former administrator of New York City’s Central Park (The Forests and Wetlands of New York City), begins Landscape Design: A Cultural and Architectural History with stone circles and ziggurats, and traces design’s evolution through to today’s suburbs and theme parks. An encyclopedic account of man-made landscapes around the world illustrated with a stunning 633 photos and drawings, more than half in color, the book reveals a 1720 English turf ampitheater, the “Tea, Moss and Stones” (as one chapter is titled) of Japanese gardens, the grand genius of Versailles designer Andr‚ Le N“tre, as well as today’s “Earthworks, Golf Courses, Philosophical Models, and Poetic Metaphors.” It’s an accessible and elegant respite.

    Copyright 2001 Cahners Business Information, Inc.

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    From Library Journal

    Perhaps best known as the founding director of New York’s Central Park Conservancy, which oversaw and funded the park’s revitalization, Rogers (The Forests and Wetlands of New York City) here presents a comprehensive survey of landscape design. Viewing her subject as the art that modifies and shapes nature, she explores the cultural values that shape, or are embodied in, cities, parks, and gardens. Embracing all cultures and ranging from prehistoric times to the present, this book covers the broadest range of subjects implied by the title, including city planning, landscape architecture, conservation, earthworks, and other uses of land in contemporary art. While this history is international in scope, it does narrow its primary focus to the United States when it reaches the late 20th century. The photographs and especially the plans are excellent and numerous. Single pages or double-page spreads devoted to specific topics add an encyclopedic element while allowing Rogers to provide even more information, illustrations, and plans without interrupting the flow of her very readable text. Accessible to lay readers but of interest to scholars, this book could serve as the text for a comprehensive course on the history of landscape design. Highly recommended. Daniel Starr, Metropolitan Museum of Art Lib., New York

    Copyright 2002 Cahners Business Information, Inc.

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    Weight 4.8 oz

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